Thursday, September 1, 2011

M/M Issue: September 2011




Manner of Man Magazine
Issue: September 2011

Table of Contents


Editorial: Aspirational Fantasties vs Truth

The Brand: Manner of Man

Interview with Karim Zeriahen

Highgrove

Danger Zone

Henry Herbert Tailors

Interview with Eric Watson

Photographer: Donato Oronzo Cacciapaglia

Moments of Absolute Clarity #6
an exclusive series produced by Lalle Johnson

M/M Editorial: Aspirational Fantasies vs Truth

Editorial Commentary by Manner of Man Magazine co-owners Nicola Linza and Cristoffer Neljesjö

We have many judgment calls to make today due to the rise of digital media and the gross shift in brand and product advertising that has followed. All of us are at risk of being pigeonholed and must be careful of potentially falling “victim” to the ethical and moral challenges faced by society today. The risk is greater to us, as we work to produce a top quality men’s magazine in this digital age of the everyman, led as he is to believe that we are all equally capable of being a writer, journalist, advisor, or fashion style critic. One of the worst we feel is what we view as the rapid decline in top quality product placement and high-end presentation at a time that the same brands responsible have dovetailed misguided low-end mass marketing which focuses largely on social efforts. Too many marketing efforts in our view are geared to the lives of not the clientele that built their brands in the first place, but instead to a dreaming youth culture and to aspirational adults who are not (and likely will never be) ready, willing and able buyers. 

Defying the legacy and clientele of many brands, this new strategy does nothing in our view but feed the social addictions, fantasies and entirely unrealistic aspirations of some people, and often does so to a degree far more than their actual finances or ability to buy their products will ever allow. The idea that this sells luxury is ludicrous to us yet the extent to which we see some will go to address such questionable new marketing techniques today is highly disturbing, because the methods we see developing go against the grain of established ethical and professional advertising techniques and principles.

Is it right for one to require, without full transparency, free high-end product merchandise (including custom-made items,) or be given the same by a brand, in return for a desired review? In the same sense, is it ethical of a brand to entice an aspirational man with a very pricey suit or expensive pair of shoes that he could never otherwise afford, just for the sake of a digital plug? We do not understand the reasoning behind why any high-end brand would do such a thing because a luxury brand's real clientele (those that actually buy the items, not just dream about them) are not going to pay attention to what we call a blog shitter in the first place.

We believe that this boils down to a matter of standards. In addition, what does this say about any firm or brand that plays along without the requirement of full disclosure? Worse to us is the potential this also opens for any firm or luxury brand to directly and silently fund or front a blog site, thereby producing what appears to be a credible and legitimate review that in fact the firm or brand put together or orchestrated themselves. We do not like one bit of it. We just see pecuniary factors in such situations weighing heavily upon the ethical and moral grounds of what should be, and is often believed to be, unbiased journalistic judgment.

We follow David Ogilvy who once said "...the product must deliver the benefit you promise." Unbiased judgment and independent review is precisely what our readers look for in a published piece. Ethical and moral journalism, what does that really mean today? Does it mean what it did 25 or 125 years ago? It does to us, but we are not so sure it does to others. Reality creeps in eventually, and an overall consideration of the meaning of those words is constantly taken into account by us to ensure that our magazine remains respected and is turned to by our readers (who are in the top 1% of society) for factual and interesting content and objective opinion. We feel there is never an excuse to fall victim to the challenges faced and imposed by both mass society and the economic environment. Yes, we take the position that taking the concept of an ethical “good,” must be applied in the same manner to journalism as it is to rivers, mountains and forests.

The issue of questionable marketing is one we believe ripe and attractive to many misguided perpetrators today who in a controlled, determined effort and desperate attempt may use such methods to try to sell to an ignorant, dreaming and depressed public. It appears today that few realize as we do all too well that this manipulation can take place via a number of avenues, from funded front sites, snap shot sites to outright clothes whores who get merchandise for free and push their opinions (as well as their own crafted questions to themselves or anonymous comments to their own posts) to a mass public that is ironically stupid enough to fall for it all yet the irony of it is that these are the same people not ready, willing or able to purchase any of the items being pushed their way! This does not speak to those ready, willing and able to buy, but does address unattainable aspirational fantasies. It is to us a huge losing proposition all around.

We are not buying into this largely disturbing and evolving trend. Our judgment and our opinions cannot be bought. We currently turn down unsolicited offers of free pricey items in return for high profile reviews and placement monthly. We believe in our own editorial judgment and we solely decide what we want to highlight. We only interview people we personally select because we believe in them not because they bought us. We have built, own and control one of the finest male centric archives of interviews with significant men in their fields from around the world, because no one has ever been asked or required to compensate us financially for a piece. We have personally selected each man critically and solely based on his position and standing in his respective industry. It is their contributions to their fields, and their personal and managerial style that matters to us and in return we know is interesting to our readers. It is not, however, surprising to us today that people are often shocked to find out that we do this without outside assistance and have never requested nor received payment for a single interview. We have built our archives out of hard work, out of our own expense of time and effort.

We understand, accept and agree that unbiased educated review often requires having direct personal knowledge of a service or an item in-hand. This surely applies to published material where it is professionally accepted that a given volume must be read to properly review it, hence the term review copy, so under certain circumstance the item must be supplied to be reviewed at all. However, we feel there are ethical and professional limits that should never be crossed (let alone abused.)

The main overriding issue we have is with those offering, taking (or demanding) money for interviews, accepting free unsolicited very pricey items in return for the guarantee of a rave review, or demanding free custom-made items in return for an editorial or review without disclosure. We ask is this honestly ethical, and pure journalism, if done without full and clear disclosure to the readers. In our view, it is not. Any time luxury merchandise is received free or money changes hands for a request we feel it holds the power to change one’s opinion. We now question the basic assumptions and motivations behind all product reviews and interviews today due to these factors. Critical and careful thinking of what resources mean may allow us to consider if we are taking the longevity and future health of our integrity for granted, and if so, what does that mean to future generations. The issues are controlled by economics and personal greed dictates the end game.

M/M The Brand: Manner of Man


Image provided to Manner of Man Magazine by the Linza family archives. All rights reserved.

M/M Interview with Karim Zeriahen

Image of Karim Zeriahen provided to Manner of Man Magazine/Welldressed by Karim Zeriahen and cannot be reproduced without written authorisation. All rights reserved.

This exclusive interview with Karim Zeriahen was conducted by Nicola Linza and Cristoffer Neljesjö in Paris during May 2011


Interview with Karim Zeriahen

What inspired you to be a filmmaker?

I used to be an ice skater for many years in the french team and I guess having my eyes open when I was skating were my first introduction to moving images.

It felt like a perpetual travelling. I guess when a few years later I was given a camera to shoot a dance piece by Philippe Decouflé, it felt quite natural for me to focus on movement and body language.

But my inspiration as a documentary film maker, i guess, came from a movie by Ken Loach: " Raining stones ". It was the first time I could sense humanity and emotions that strong in a character.

I was then drawn to filming people and specially people with a certain age that could tell stories and share experiences.

You can interview one person of the past who would it be? And why?

There are so many including Albert Einstein, Oscar Wilde, Sigmund Freund but my dream would be to interview Ralph Waldo Emerson.

One of his texts on nature is an endless source of inspiration to me. It opened my eyes on the depths and the beauty of human nature. Something I really think about when I am shooting my video portraits.

How do you approach each new project?

Each project is so different that the form , the research and the making is driven by the subject itself.

Usually, I read and watch all I can about the subject, then I escape from where I live to a neutral place and write the project. I need to be alone in a place that I don't know. I need to feel like a stranger so I can face the unknown. Hotel rooms are very convenient, you can make research online, lie down on the bed, take a walk, go to a museum and come back and do some more writing. The film will be tainted by the atmosphere of the place you are in.

How do you describe your style?

Hard question but I would say my interests are human encounters and body language combined with a real pleasure in editing room trying to create some sort of choreography with bits of rushes and music.

If you weren’t a filmmaker what would you be doing?

I would probably be a therapist...

The above interview with Karim Zeriahen 2011 © Manner of Man Magazine/Welldressed. All rights reserved. Reproduction is strictly prohibited without written permission from the publisher.

M/M Highgrove

M/M Danger Zone




















Photo by M/M Studio. All rights reserved.



“Don't be afraid to make a mistake, your readers might like it.”
-William Randolph Hearst


"Unfortunately he didn't live long enough to realise he was wrong."
- Manner of Man Magazine


M/M Henry Herbert Tailors


Image provided by Henry Herbert Tailors. All rights reserved.

Henry Herbert Tailors - Savile Row by Scooter

M/M Interview with Eric Watson

Image of Eric Watson provided to Manner of Man Magazine/Welldressed for exclusive use and cannot be reproduced without written authorisation. All rights reserved.

This exclusive interview with Eric Watson was conducted by Nicola Linza and Cristoffer Neljesjö in Tampa, Florida during May 2011


Classical Talks – Interviews with members of The Institute of Classical Architecture & Art America



Interview with Eric Watson


What inspired you to become an architect? And have a focus on traditional Classic design?

I was seven when my family built a traditional house and I became interested in architecture and especially houses. From the numerous site visits during construction, I gained an awareness of design, detail, and the general process. Our house was one of the first in a neighborhood of traditional houses in a variety of styles. My favorite after school activity was to tromp through the nearby houses under construction. I endlessly studied their details, floor plans, how bricks were laid, proportions of dormers, roof pitches, and window and shutter configurations. Learning from these houses, I developed an awareness of their distinct style characteristics. I recall spending countless hours drawing and recreating my personal versions of what fascinated me.

Years later, while studying at Yale, a design studio changed the way I thought about architecture and buildings in general. Instead of seeing buildings as objects in the landscape - as architects almost always do, I learned that in many cases, a good traditional building is a well designed neighbor that contributes collectively with other buildings to enhance the streetscape and urban experience.


How would you describe your personal style?

Living in South Florida where summer lasts six months, whatever I wear, it’s got to be comfortable. Florida is just too hot to fuss over endless outfits and complicated clothing options. I keep my clothes simple. Natural fabrics in solid colors and small prints are flexible to dress up or down with – nothing too trendy. If clothing is well made with quality materials in a classic style, I’ll usually like it. Nice shoes and belts are always important.


If you could do any building in any city what type would it be? And where would it be?

Since I’ve only designed houses so far, I think I’d like to design a town hall, or a public library. The building would be on a specifically designated civic site in a small southern town designed by one of the great town planners – perhaps Nolen, Olmstead, or Duany. Like all good pre-war traditional architecture, the building would be built with durable, authentic materials appropriate to its style and location. The building and its interior would be splendidly detailed.


You have to single out one particular house and an icon of inspiration which would it be? And why?

Reynolda House - designed by the underappreciated American architect Charles Barton Keen. What strikes me about this early twentieth century country house is how inventive the design is. Although the house is large and spacious, the unconventional floor plan feels surprisingly informal and comfortable. The bold massing is a clever response to the architectural program and the site conditions. The material and detail expression is exceptional for its restraint and efficiency. The house is a refreshing interpretation of the Colonial Revival and Arts and Crafts styles.

With my own work, I’m not interested in creating the perfect representation of a particular historical style. My design approach has always been how any style can be interpreted by the synthesis of the regional context, the architectural program, and the building form.


If you weren’t an architect what do you think you would be doing today?

If I weren’t an architect, this interview would be about my life as an actor on the big screen!

The above interview with Eric Watson 2011 © Manner of Man Magazine/Welldressed. All rights reserved. Reproduction is strictly prohibited without written permission from the publisher.

M/M Photographer Donato Oronzo Cacciapaglia




















Photos supplied to Manner of Man Magazine by Donato Oronzo Cacciapaglia and cannot be reproduced without written authorisation. All rights reserved.

M/M M/M Moments of Absolute Clarity #6

an exclusive series produced by Lalle Johnson






















Image by Lalle Johnson exclusively for Manner of Man Magazine/Welldressed and cannot be reproduced without written authorisation. All rights reserved.


2011 © Manner of Man Magazine/Welldressed. All rights reserved. Reproduction is strictly prohibited without written permission from the publisher.
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