Critics have often remarked how Bruegel’s art, so keenly observed and richly detailed, seems to preserve a world in miniature. In this new monograph, Larry Silver, an eminent historian of Northern Renaissance art, serves as our guide to that world. He leads us expertly through Bruegel’s complex and fascinating iconography, allowing us to see his paintings and drawings from the same perspective as his sixteenth-century countrymen. Silver situates Bruegel within the visual culture of his time—exploring, for example, his relationship with the print publisher Hieronymus Cock—and within the broader context of Netherlandish history. All of Bruegel’s surviving paintings are reproduced here, with many full-page details, as well as all of his prints and representative works by his contemporaries and followers.
This volume on Bruegel complements Silver’s widely praised monograph on Hieronymus Bosch, which was published by Abbeville Press in 2006. These two books are the most authoritative and best-illustrated studies of their respective subjects, and together they present us with a panorama of Netherlandish art’s emergence into the distinctive form of the Northern Renaissance.
Larry Silver, who received his Ph.D. from Harvard University, is Farquhar Professor of Art History at the University of Pennsylvania. Besides Pieter Bruegel and Hieronymus Bosch, his other books include Art in History, Rembrandt’s Faith, and Peasant Scenes and Landscapes.