Manner of Man Magazine: M/M The Brand: Manner of Man

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M/M Manner of Man Magazine Interviews

Alberto Milani

Alessio Nanni

Alexander Lipphardt

Alexander Stoddart

Andrea Luparelli

Angus Cundey

Anthony Haden-Guest

Antonio de Matteis

Antonio Mancinelli

Arnaud Bamberger

Barclay Fryery

Bernhard Roetzel

Bruce Hulse

Campion Platt

Carter Ratcliff

Charlie Baker-Collingwood

David de Rothschild

David Saxby

David Stubbs

Digby Harris

Domenico Vacca

Don Rafael de Medina y Abascal

Doug Ordway

Dr. Ian Bruce Wardropper

Dr. Kjell A. Nordström

Dr. Nikos Salingaros

Enrico Libani

Eric Silver

Eric Watson

Espen Øino

Fabio Borrelli

Francis Russell

Francis Terry

Frederik Willems

Gay Talese

Gerard Malanga

Gil Schafer III

Graeme Thomas

Gregor Thissen

Hartmut Feyhl

Hugh Newell Jacobsen

Ian Lundin

Ignatious Joseph

Jack Lenor Larsen

James Henry Sykes-Hagen

James Swan

Jean-Claude Biver

Jeremy Hackett

Jeremy Musson

Joe Dallesandro

Joe Ruggiero

Johan Eliasch

Johan Staël von Holstein

John Blades

John Saladino

John Stefanidis

Jonas Roslund

Karim Zeriahen

Karl-Friedrich Scheufele

Kent Bergsma

Lalle Johnson

Léon Krier

Lou del Bianco

Luca Bassani

Luciano Barbera

Marcus Abel

Mario Buatta

Mario Tavella

Martin Kemp

Mats Gabrielsson

Matthew Sandager

Matthew White

Michael Jondral

Michel Porteneuve

Olivier Camu

Patrick Baty

Patrick Reynolds

Paul Gunther

Peder Lamm

Peter Pennoyer

Prithvi Raj Sing Oberoi

Prosper Assouline

Quinlan Terry

Robert Adam

Robert E. Bryan

Roger Scruton

Salvatore Grimaldi

Sam Scott Schiavo

Simon Jacobsen

Sir Josslyn Henry Robert Gore-Booth, 9th Baronet

Stefano Serafini

Taki Theodoracopulos

Thomas Prescher

Tom Mahon

Tom Murray

Tony Gaziano

Trevor Butterworth

Valentino and Nicola Ricci

Vicente Wolf

Zaremba & Kaminski

M/M Manner of Man Magazine Contributors

Sir Josslyn Henry Robert Gore-Booth, 9th Baronet

David Robert Somerset, 11th Duke of Beaufort

Brigadier Arthur Valerian Wellesley, 8th Duke of Wellington

Allan Warren

Clarence House, London - TRH The Prince of Wales and The Duchess of Cornwall

Paul Mellon Centre for Studies in British Art

H.R.H. the Principe of Piedmont and Venice Emanuele Filiberto di Savoia

Emanuele Bongiorno di Canigliari

Thomas Tolderini dei Gagliardis dalla Volta

Francesco Arditi Di Castelvetere

Don Fabrizio Tortorici di Vigna Grande XIV° baron of Rincione

Quinlan & Francis Terry Architects

Quarterly Review

Palm Beach Preservation Foundation

The Metropolitan Museum of Art

Yale University Press

Harvard University

Princeton University Press

Booth-Clibborn Editions

Cambridge University Press

Lalle Johnson

Jean-Claude Biver

Derek Turner

Taki Theodoracopulous

Colonial Williamsburg

Christie's New York/London/Paris

Sotheby's New York/London/Paris

Miguel Ayres de Campos

Alonso Pérez de Guzmán el Bueno

Luciano Barbera

Anthony Haden-Guest

G. Bruce Boyer

James Henry Sykes-Hagen

Joe Dallesandro

Loïc Amauger Lascombe

Chris Larson

Nathan Lauer

Craig Bodeker

Carter Peabody

Pierre de Boucau

Charles-Louis Orsini

Michael Brus

Matías Jaime Chandía Escámez

Francois Kalife

Doug Ordway

Tony Spinelli

Sam Scott Schiavo

Ángel Ayestarán

Herry Lawford

Donato Oronzo Cacciapaglia

Julian Craig

Gregory Lauder-Frost, FSA Scot

Olivier Coste d'Espagnac

Rodolfo Vargas Rubio

Ludovic de Rancourt

Dr. Roberto Maria Ferlin

Jules de Nogaret

Wilhelm Berckemeyer

M/M Bestemmia [Blasphemy]

by Pier Paolo Pasolini

Io sono una forza del Passato.
Solo nella tradizione è il mio amore.
Vengo dai ruderi, dalle chiese,
dalle pale d’altare, dai borghi
abbandonati sugli Appennini o le Prealpi,
dove sono vissuti i fratelli.
Giro sulla Tuscolana come un pazzo,
per l’Appia come un cane senza padrone.
O guardo i crepuscoli, le mattine
su Roma, sulla Ciociaria, sul mondo,
come i primi atti della Dopostoria,
cui io assisto, per privilegio d’anagrafe,
dall’orlo estremo di qualche età
sepolta. (“Poesie mondane,” Bestemmia 619)

[I am a force of the past.
Tradition is my only love.
I come from the ruins, and churches,
and altarpieces, the abandoned
villages on the Appennines or on the Prealps,
where brothers have lived.
Like a madman I wander on the Tuscolana,
On the Appia like a dog without a master.
Or I observe the twilights, and the mornings
over Rome, and Ciociaria, and the world,
as the first acts of the After-History,
which I partake of, by chronological privilege,
from the extreme border of some
buried age.]

- Pier Paolo Pasolini

Friday, August 31, 2012

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M/M Bestemmia [Blasphemy]