Tuesday, 1 November 2011

M/M Issue: November 2011




Manner of Man Magazine
Issue: November 2011

Table of Contents


Memoir: My Halcyon Days: Brideshead Revisited and The Style Council

The Brand: Manner of Man

Interview with Dr. Kjell A. Nordström

ROBERT MORLEY reading Kipling's IF

Sophistication

Age And Time Do Not Wait For People

Interview with Espen Øino

Exhibition Celebrating Late Renaissance Master Perino del Vaga at Metropolitan Museum




M/M The Brand: Manner of Man

Image of City Hall of Rennes (built during the XVIII° century) by Loïc Amauger-Lascombe provided to Manner of Man Magazine for exclusive use and may not be reproduced without written authorisation. All rights reserved.

M/M Interview with Dr. Kjell A. Nordström

This exclusive interview with Dr. Kjell A. Nordström was conducted by Nicola Linza and Cristoffer Neljesjö in Stockholm during August 2011 and is only available in print edition.

ROBERT MORLEY reading Kipling's IF

M/M Sophistication

Sophistication is a rare bird flying over endless fields of trash produced by the filthy masses in hope of finding the one place to settle down.

M/M Age And Time Do Not Wait For People










Images provided to Manner of Man Magazine and Welldressed by Eduard Dressler for exclusive use and may not be reproduced without written authorisation.

M/M Interview with Espen Øino

This exclusive interview with Espen Øino was conducted by Nicola Linza and Cristoffer Neljesjö in Monaco during August 2011 and is only available in print edition.
 

M/M Exhibition Celebrating Late Renaissance Master Perino del Vaga at Metropolitan Museum

Image: Perino del Vaga (Pietro Buonaccorsi), Florence 1501 –1547 Rome; Jupiter and Juno: Study for the ‘Furti di Giove’ Tapestries; Ca. 1532-35; Pen and dark brown ink with brown and gray wash, heightened with white; 17 x 15 ¾ in.; The Metropolitan Museum of Art, Purchase, Acquisitions Fund and Annette and Oscar de la Renta Gift, 2011.36


Perino del Vaga (Pietro Buonaccorsi, 1501-1547), a pupil of Raphael, was a leading innovator of the late Renaissance style known as Mannerism, and one of the most influential Italian artists of the 16th century. The Metropolitan Museum of Art recently acquired a painting and a drawing by the master, and they will both be featured in Perino del Vaga in New York Collections, on view from September 27, 2011, through February 5, 2012. The new acquisitions will be seen alongside some 18 drawings by the artist from the Metropolitan Museum, the Morgan Library & Museum, and private collections, as well as a second painting from a New York private collection.

Perino del Vaga in New York Collections will represent every phase of the Florentine-born artist’s career, from his first decade in Rome, when he emerged as the preeminent fresco painter in the city in the wake of Raphael’s death in 1520; to his years in Genoa as court artist to Andrea Doria; to his final decade in Rome, when he worked primarily in the service of Pope Paul III Farnese, designing frescoes, stucco, silver and other precious objects, and embroideries.

The centerpiece of the exhibition will be the Holy Family with the Young Saint John the Baptist, a recently discovered masterpiece that dates from Perino’s early years in Rome (ca. 1525) and is an exceedingly rare example of his activity as a panel painter. Fewer than 10 independent paintings by Perino survive, so the recent appearance of this previously unknown work is nothing short of extraordinary. The painting has been newly restored, revealing the original colors and giving insight into the artist’s painting technique. It will be featured with the Metropolitan Museum’s other recent acquisition by the artist, which is an outstanding, highly finished drawing of Jupiter and Juno reclining on a marriage bed. A study for an important lost tapestry commissioned in the early 1530s by Admiral Andrea Doria, commander of the papal and later the Imperial fleet and ruler of Genoa, this brilliant sheet is one of the artist’s most celebrated drawings and a consummate demonstration of his renowned gifts as a draftsman.

Blending influences from Michelangelo, Raphael, and classical antiquity, Perino’s art, with its emphasis on grace, artifice, and effortless complexity, epitomizes Mannerism. Florentine by birth, Perino trained with Raphael in Rome and went on to become the preeminent fresco painter in that city. Following the Sack of Rome in 1527, he relocated to Genoa, where he worked for nearly a decade as court artist to Admiral-Prince Andrea Doria. His decorations in the Palazzo Doria introduced to Genoa the modern maniera all’antica, as the sophisticated, classicizing style of Raphael and his followers was known.

By 1537 Perino was back in Rome, which was undergoing a period of cultural renewal, and within a few years he had become court artist to Pope Paul III,assuming the role that Raphael had filled decades earlier for Pope Leo X. Like Raphael, Perino oversaw a large and industrious workshop, devising monumental compositions for the Vatican and elsewhere, while entrusting to his collaborators much of the execution of his frescoes and stucco reliefs, as well as the rock crystals, embroideries, medals, and myriad other precious objects he designed. Perino died in 1547 and was entombed in the Pantheon near Raphael.

Perino del Vaga in New York Collections is organized by guest curator Linda Wolk-Simon, the Charles W. Engelhard Curator and Department Head, Department of Drawings and Prints at The Morgan Library & Museum, and Andrea Bayer, Curator in the Metropolitan Museum’s Department of European Paintings.

A variety of education programs will accompany the exhibition, including gallery talks and a Sunday at the Met lecture program. Unless otherwise noted, all programs are free with Museum admission. Program details and more information about the exhibition can be found at www.metmuseum.org.