Interview with Juan Pablo Molyneux
a nearly six meter high space decorated with azulejos depicting
long-vanished historic castles of the Île-de-France .
Photo by Antonio Martinelli. All rights reserved.
This exclusive interview with interior designer Juan
Pablo Molyneux was conducted in Paris by Nicola Linza and Cristoffer Neljesjö
during April 2017.
What
prompted you to enter interior design and decoration?
After finishing my architectural studies, I was asked to take part in a
project integrating architectural interior elements and propositions for
furniture. At that time, I had the realization that I could never separate
these different métiers that I considered indivisible, and I have continued in
this manner ever since.
Where do you
find inspiration?
I think that inspiration is everywhere and it is a question of being
receptive and interested.
What single
room would you consider particularly important? And why?
A vestibule. It talks about the rest of the building, about the owners,
their taste, and their status.
Do you have
a particular favourite period for interior decoration and architecture?
Not precisely, but I do love late 18th Century French and mid
19th Century Russian, not to mention contemporary architecture.
Your work
often embraces a balanced Classical structure while you imbue your interiors at
the same time with a sense of now, a feeling of today. Can you describe how you
achieve these results so successfully?
Perhaps my background of classical architecture and my way of life,
being a contemporary man, is the answer to this balance.
How do you
first approach the re-decoration of a historic structure?
By studying the original architecture of the project and traveling
through the mind of the architect who imagined it and then adding to that, the
requests and program of the present owners.
If you could
have done any house or space in history which would it be?
Oranienbaum, near St. Petersburg, perhaps.
How
important is fantasy?
VITAL.
The above interview with Juan Pablo
Molyneux 2017 © Manner of Man Magazine. All rights reserved.
Reproduction is strictly prohibited without written permission from the
publisher.